Bifröst (CD)

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Bifröst (CD)
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Teaching Testimonials

Guitar Lessons

John Moulder has been instrumental in my development as a jazz musician. His teaching approach has been focused on working on my jazz improvisational skills

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Mathew Ferraro, Chicago

Guitar Lessons

Mathew Ferraro, Chicago

John Moulder has been instrumental in my development as a jazz musician. His teaching approach has been focused on working on my jazz improvisational skills as well as building my song repertoire and jazz theory knowledge. John has helped me prepare for success in a number of programs, such as Illinois’ All-State band as well as Jazz at Lincoln Center’s Summer Jazz Academy for high-school students.
Mathew Ferraro, Chicago

...I’d highly recommend him for anyone who is serious about a career in music.

I’ve had the pleasure of studying with John for the past three years and have not only grown as a musician but also as an

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Erik Skov, Chicago

...I’d highly recommend him for anyone who is serious about a career in music.

Erik Skov, Chicago

I’ve had the pleasure of studying with John for the past three years and have not only grown as a musician but also as an educator and person. We explored many ways of approaching music, from the simpler aspects of modal vamps, to playing over standards, to creating original music. John was very helpful in the creative process and allowed me to find my own musical and compositional voice. John introduced me to the concept of playing scales in 12 positions that added to my knowledge of the instrument, expanded my articulation, and allowed me to access new musical ideas. He also taught with a chords-first approach that focused on voice-leading and expanded my chordal knowledge. He placed an emphasis on being a rounded musician, and encouraged me to play multiple guitars and banjo, which has made me a more marketable guitarist.
On a professional level, John has provided me many opportunities including gigs, private guitar students, and college-level teaching. He has introduced me to many of the key players in the Chicago scene. John prepared me for graduate school auditions by reviewing my audition material and suggesting additional pieces. While I attended Northwestern University, John was my private lessons instructor. He continued to help me with my graduate work, provided unique ideas for independent studies, and offered valuable insight into post-graduate opportunities. John has greatly influenced the way I think about practicing, writing, and teaching. I’d highly recommend him for anyone who is serious about a career in music.

Erik Skov, Chicago

You'll be studying with the best!

"I've been studying with John for more than two and a half years. I can't imagine where my playing would be without him. He's been

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Will Finnegan, Northwestern University

You'll be studying with the best!

Will Finnegan, Northwestern University

"I've been studying with John for more than two and a half years. I can't imagine where my playing would be without him. He's been an amazing resource, with a wealth of knowledge in everything from bebop to fusion. He's also been an incredible teacher, giving me a tailored program of all the theory, technique, and repertoire I need to succeed as a jazz musician. Most importantly, he's just about the nicest guy you'll ever meet. I would highly recommend him to any aspiring guitarist. You'll be studying with the best!"

old dog, new tricks...

John Moulder CAN teach an old dog new tricks. I've been taking lessons for years. In just a few months, John has my playing and

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Mike Fine

old dog, new tricks...

Mike Fine

John Moulder CAN teach an old dog new tricks. I've been taking lessons for years. In just a few months, John has my playing and understanding of music growing by leaps and bounds!

... I continue to be inspired by his virtuosic guitar playing.

Studying with John Moulder helped me grow immensely as a guitarist and overall musician. John spent time taking me through methodical aspects of jazz comping

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Jake Ishler, Berklee College of Music

... I continue to be inspired by his virtuosic guitar playing.

Jake Ishler, Berklee College of Music

Studying with John Moulder helped me grow immensely as a guitarist and overall musician. John spent time taking me through methodical aspects of jazz comping and chord voicings along with helping me to understand harmony in common jazz standards. As a result, I got a wealth of information and developed skills from John that helped me place in advanced ensembles at Berklee College of Music, and test out of many required courses. Not only did I learn so much from John, but he is also a very caring person and teacher who always helped me put my best foot forward in life, and musical endeavors. I continue to be inspired by his virtuosic guitar playing.

He made music where there was none.

I am a ‘non-traditional’ student. Specifically, I came to my lessons with a load of music theory knowledge, but very little playing experience. My need

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Stephen Hill

He made music where there was none.

Stephen Hill

I am a ‘non-traditional’ student. Specifically, I came to my lessons with a load of music theory knowledge, but very little playing experience. My need was simple – to apply theory in real time. And make some listenable music, if possible. John immediately saw where I was and where I wanted to go. He is working me through what I call “John Moulder’s 18 steps to Guitar Greatness.” He has a penetrating ability to see where I am in my journey to fluency and give me exercises that accelerate my progress. And what progress I have made! John brought me from a very low base to an impressive level in a very short time. He is infinitely patient (my progress is slow), and always encouraging (even when I don’t see the progress). He is, in a way, a miracle worker. He made music where there was none.

More CD Reviews

Top 10 Innovative Jazz Releases of 2009

Top 10 Innovative Jazz Releases of 2009
For the past 20 years or so, excellent guitarists have been plentiful in Chicago, and Moulder ranks high

...more

Howard Reich, Chicago Tribune Website

Top 10 Innovative Jazz Releases of 2009

Howard Reich, Chicago Tribune Website

Top 10 Innovative Jazz Releases of 2009
For the past 20 years or so, excellent guitarists have been plentiful in Chicago, and Moulder ranks high among them. On "Bifrost," he offers some of the most profound work of his career, alternating vastly scaled tone poems with exquisitely delicate, spiritual pieces. His work only deepens with time.
-Howard Reich, Chicago Tribune

Quietly, and with little fuss, Moulder has built his voice as writer and performer...

A longtime member of ex-Pat Metheny Group drummer Paul Wertico's trio, enough has already been written about John Moulder's double life as jazz guitarist and

...more

John Kelman, All About Jazz Website

Quietly, and with little fuss, Moulder has built his voice as writer and performer...

John Kelman, All About Jazz Website

A longtime member of ex-Pat Metheny Group drummer Paul Wertico's trio, enough has already been written about John Moulder's double life as jazz guitarist and ordained priest. Bifröst is Moulder's follow-up to the ambitious and eclectic Trinity (Origin, 2006), where the guitarist's spirituality became a touchstone for music ranging from the ethereal to the grounded, and from elegant folklore to potent, angst-driven fusion. What makes Bifröst even more satisfying is its narrowing of focus down from a larger cast of characters to a quintet, bringing together old friends Wertico and fretless electric bassist Brian Peters with new Norwegian ones, double-bassist Arild Andersen and saxophonist Bendik Hofseth.

That Andersen collaborated, early in his career, with Terje Rypdal makes this transatlantic first encounter all the more successful, given that Moulder's visceral, overdriven and often whammy bar-centric electric playing is unmistakably influenced by the Norwegian guitar legend. And while he certainly possesses his own voice, the sound of another Norwegian notable and early Andersen cohort, saxophonist Jan Garbarek, is an equal touchstone in Hofseth's tone and approach.

Here, Moulder's high energy electric is juxtaposed and combined with six- and twelve-string acoustic guitars to to create a context that hints, in some ways, back to Ralph Towner and Solstice (ECM, 1975). Bifröst's opening title track, in fact, speaks deeply of Towner's harmonic language and, with Wertico's light cymbal work and Hofseth's soaring lines, could easily fall into similar territory were it not for Andersen's in-the-gut double-bass and Moulder's searing electric solo. Moulder's serpentine melody weaves around ambiguous harmonies, as the piece builds dramatically—and inevitably.

Moulder may drive some of Bifröst with hard-edged electricity, but he's also capable of softer lyricism; his solo acoustic intro to the ultimately more buoyant "Watch Your Step"—where his acoustic melody is bolstered in strong, lilting unison by Hofseth and Peters— sounding like an outtake from Metheny's One Quiet Night (Nonesuch, 2003). "Echoes of Home," driven gently by Wertico's percussion, is another acoustic feature, with Moulder recalling Windham Hill's Alex DeGrassi, but with greater depth.

Andersen's remarkable combination of deep, resonant tone and lithe dexterity is a fundamental throughout the disc, with his solo intro to "Magical Space" a highlight as he builds phrase-after-phrase over a looped chordal wash. Once the group enters, setting a dark context for solos by Moulder (again, on acoustic) and Hofseth, its temporal elasticity recalls ECM classics like Bill Connors' Of Mist and Melting (1978). Wertico's restraint here is as impressive as his more powerful bent on the closing part of Moulder's episodic "Time Being," a 15-minute epic that ends with a repeating series of ascending chords, bringing the album to a strong and definitive close.

Quietly, and with little fuss, Moulder has built his voice as writer and performer, and a rare ability to conceptualize broader narratives. With Bifröst he leverages Trinity's ambitious nature into an album that may appear smaller in focus, but is ultimately even more expansive in overall sound, vision and chemistry.

Track Listing: Bifröst; Watch Your Step (introduction); Watch Your Step; Magical Space (introduction); Magical Space; Echoes of Home; Cold Sea Triptych: Part 1; Cold Sea Triptych: Part 2; Cold Sea Triptych: Part 3; Time Being.

Personnel: John Moulder: electric guitars, 12-string and 6-string acoustic guitars; Bendik Hofseth: tenor saxophone; Arild Andersen: double-bass; Paul Wertico: drums, percussion; Brian Peters: electric fretless bass, programming.